Art 511 Magazine

‘Fuzzy Puzzle’ by Pablo Melchor

“We are not Complicated People. We Don’t Care if we are Behind the Camera or in Front of the Projector”

Pablo Melchor and “Fuzzy Puzzle”:  A Profile – by Jo Rose

Paris born, Manchester bred artist Pablo Melchor’s projection piece, “Fuzzy Puzzle”, marks the NYC closing ceremony of Manchester-based collective Alexandra Art’s third year of the Pankhurst in the Park Festival. It illuminated the walls of the Mothership in Brooklyn’s Greenpoint on September 21st.  Melchor describes “Fuzzy Puzzle” as ‘a prism vision. A Fuzzy collection of memories’ which aims to be ‘subjective and colourful’. As such, the piece holds a strange place for Pablo as an author since it is, as he himself insists, an extension and acknowledgement of his involvement with Alexandra Arts and its branching out beyond Manchester’s frontiers, especially to New York, and Manchester’s cultural scene over more than a half-decade. It embraces its own inherent fragmentation and displacement.
— Jo Rose

This article is now live over at Art 511 Magazine. This piece was commissioned by us for the centenary for UK women’s suffrage [funded by ARTS COUNCIL ENGLAND] during the Pankhurst in the Park 2018 season. See Pablo Melchor’s projection piece in full below.

Author’s Bio

 Jo Rose is a writer, musician, promoter, and English Literature Postgraduate based in Manchester, England. He currently works closely with the Alexandra Arts collective, most notably with the Pankhurst in the Park Festival and with the teacher training initiative the “Art as Activism Toolkit”. His principle academic focus has been in ‘modernist’ and ‘late modernist’ literature (most prominently the works of Samuel Beckett and animals in literary works). He has released several records, and has toured extensively throughout the UK and Europe for over a decade, working alone and collaborating with a multitude of other artists. He co-habits with a miserly ex-racing greyhound, Harpo, a relationship he likens to having a deer as a pet.

The Merry Wagtail Jades, The Breeches They Do Carry

Pankhurst in the Park 2018 artist Anna FC Smith has done a write up about the work she created for our NYC adventure EMINENT DOMAIN, read about it here

The Merry Wagtail Jades, The Breeches They Do Carry: Impudent women and cuckold’s horns.

BY ANNA FC SMITH

The title of the work I exhibited at Eminent Domain derives from the broadside ballad ‘A new summons to all the merry wagtail jades that attend at horn fair.’ Printed and sold by J. Pitts in England in 1802 and 1819, it reads: “Come all you wagtail jades, Who love to play the game: And whilst your husbands are abroad, To have some of the same”… “The breeches they do carry, And swear they will them wear, And have their sparks when they please, Though husbands jealous are.”

I exhibited three sculptural banners capped with cuckold’s horns “tipt (sic) with silver” as the broadside ballad describes. The banners themselves were Edwardian bloomers made from a fabric printed with colourful splattered eggs. Their accompanying film echoes with the dissonant sound of crashing and banging pans as the spirit of the impudent women of the past blows through the bloomers.

I was commissioned by Alexandra Arts as part of their Pankhurst In The Park centenary celebrations to explore the history of the Suffragettes and their relevance to contemporary radical feminism. I decided to explore older forms of female carnivalesque, unruly behaviour to draw comparisons with the actions of the Suffragettes and how they were perceived. My work aims to highlight a chain of symbolism in the raucous practices of dissent. My research began with the actions of spitting, pelting and egg throwing undertaken by and against the Suffragettes and led me to rough music and the phenomenon of the Horn Fair.
— Anna FC Smith @ art511mag.com

Below is the video artist portrait that we commissioned of Anna FC Smith for the Pankhurst in the Park 2018 season

Alien Armageddon, Empathy & The Vine of the Soul

A conversation with Melanie Bonajo

BY KATIE CERCONE

In terms of plant meditation, I allow plants to be my teachers, they take me to a place of silence and I access portals that are usually only opening with an intensely deep, probably monastery meditation practice
— Melanie Bonajo

Melanie Bonajo, Night Soil - Economy of Love, 2015, film still courtesy AKINCI

This article is now live over at Art 511 Magazine! This piece was commissioned by Alexandra Arts and first published in the special print edition of Art 511 Mag celebrating International Women’s Day and the centenary for UK women’s suffrage [funded by ARTS COUNCIL ENGLAND] during the Pankhurst in the Park 2018 season. You can download the digital version of the full mag here

Spiraling Smoke

BY CLAIRE ZAKIEWICZ

Is now live over at Art 511 Magazine! This article was commissioned by Alexandra Arts  and first published in the special print edition of Art 511 Mag celebrating International Women’s Day and the centenary for UK women’s suffrage [funded by ARTS COUNCIL ENGLAND] during the Pankhurst in the Park 2018 season. Plus, you can download the digital version of the full mag here

I met SOL KJØK in May 2017 at her loft in Brooklyn when I became one of her artists in residence. Her studio is the size of two tennis courts, and you can see both the Empire State and Chrysler buildings through a pair of factory windows. Acrobatic swings, harnesses and platforms dangle from 20ft ceilings. A full-sized tipi sits off-centre in the space where a Shaman performs drum journeys. World-class physicists, artists, academics and eccentrics regularly pass through. Her world is an inspiring, cross-pollinating place of collaboration and interaction. From the roof you overlook one of the most polluted pockets of America’s post-industrial wasteland – a mad dystopian scene set against one of the most inspiring skylines in the world.
— Claire Zakiewicz

Amy Clancy in conversation with Helen Wewiora

Helen Wewiora became the Director of the Castlefield Gallery in central Manchester at the end of 2016. Here she speaks to Amy Clancy about Manchester’s place in the art world, addressing challenges and a new artistic exchange program.

This interview is now live over at Art 511 Magazine! This piece was commissioned by Alexandra Arts  and first published in the special print edition of Art 511 Mag celebrating International Women’s Day and the centenary for UK women’s suffrage [funded by ARTS COUNCIL ENGLAND] during the Pankhurst in the Park 2018 season. You can download the digital version of the full mag here

Hannah Leighton Boyce. Studio view, work in progress

Banner image - Hannah Leighton-Boyce, More energy than object, more force than form, 2018 [detail] Courtesy ® Drew Forsyth

Anna FC Smith in the news

Pankhurst in the Park 2018 commissioned artist Anna FC Smith has made it into the news today, read the full article in Wigan Today here,  about her NYC debut at EMINENT DOMAIN in West Chelsea. This exhibition featured over 90 feminist artist from around the world and was a collaboration between Alexandra Arts and NYC based Art 511 Magazine

The Sick Role by Samantha Conlon

Samantha Conlon’s The Sick Role, 2018, is part documentation and part ritualistic photography accompanied with text composing a contemporary portrait of the mundane reality of mental illness. From a new body of work developed in Kuvataideakatemie, Helsinki, The Sick Role interrogates the experience of physical and mental illness in female bodies and the institutionalized gender politics at play within the care systems from which females seek healing. The development of systems of Western Science and Medicine displaced the age-old lineages of female practitioners. Midwives with generations of healing knowledge connected to the kingdom of plants and collective spiritual life were ousted from clinics, if not brutally violated in earlier eras involving mass genocide of women healers. Women in general were made victim of segregation, and limited access to higher education marginalized their work, making it unlawful to practice holistic healing modalities that carry important insight into women’s complex systems.

Read the full article here

This article have now been published on the art511mag.com site and was commissioned by Alexandra Arts for the special print edition of Art 511 Mag celebrating International Women’s Day and the centenary for UK women’s suffrage [funded by ARTS COUNCIL ENGLAND] during the Pankhurst in the Park 2018 season.

Or download the full mag here

Sertraline gaze v, 2018